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Fabulous Fairy Tales for children and adults. From our vast collection of old traditional fairy tales and fables.

In The Nursery

FATHER, and mother, and brothers, and sisters, were gone
to the play; only little Anna and her grandpapa were left at
home.

'We'll have a play too,' he said, 'and it may begin
immediately.'

'But we have no theatre,' cried little Anna, 'and we have
no one to act for us; my old doll cannot, for she is a fright,
and my new one cannot, for she must not rumple her new
clothes.'

'One can always get actors if one makes use of what one
has,' observed grandpapa.

'Now we'll go into the theatre. Here we will put up a
book, there another, and there a third, in a sloping row. Now
three on the other side; so, now we have the side scenes. The
old box that lies yonder may be the back stairs; and we'll lay
the flooring on top of it. The stage represents a room, as
every one may see. Now we want the actors. Let us see what we
can find in the plaything-box. First the personages, and then
we will get the play ready. One after the other; that will be
capital! Here's a pipe-head, and yonder an odd glove; they
will do very well for father and daughter.'

'But those are only two characters,' said little Anna.
'Here's my brother's old waistcoat- could not that play in our
piece, too?'

'It's big enough, certainly,' replied grandpapa. 'It shall
be the lover. There's nothing in the pockets, and that's very
interesting, for that's half of an unfortunate attachment. And
here we have the nut-cracker's boots, with spurs to them. Row,
dow, dow! how they can stamp and strut! They shall represent
the unwelcome wooer, whom the lady does not like. What kind of
a play will you have now? Shall it be a tragedy, or a domestic
drama?'

'A domestic drama, please,' said little Anna, 'for the
others are so fond of that. Do you know one?'

'I know a hundred,' said grandpapa. 'Those that are most
in favor are from the French, but they are not good for little
girls. In the meantime, we may take one of the prettiest, for
inside they're all very much alike. Now I shake the pen!
Cock-a-lorum! So now, here's the play, brin-bran-span new! Now
listen to the play-bill.'

And grandpapa took a newspaper, and read as if he were
reading from it:


THE PIPE-HEAD AND THE GOOD HEAD

A Family Drama in One Act

CHARACTERS


MR. PIPE-HEAD, a father. MR. WAISTCOAT, a lover.

MISS GLOVE, a daughter. MR. DE BOOTS, a suitor.


'And now we're going to begin. The curtain rises. We have
no curtain, so it has risen already. All the characters are
there, and so we have them at hand. Now I speak as Papa
Pipe-head! He's angry to-day. One can see that he's a colored
meerschaum.

''Snik, snak, snurre, bassellurre! I'm master of this
house! I'm the father of my daughter! Will you hear what I
have to say? Mr. de Boots is a person in whom one may see
one's face; his upper part is of morocco, and he has spurs
into the bargain. Snikke, snakke, snak! He shall have my
daughter!'

'Now listen to what the Waistcoat says, little Anna,' said
grandpapa. 'Now the Waistcoat's speaking. The Waistcoat has a
laydown collar, and is very modest; but he knows his own
value, and has quite a right to say what he says:

''I haven't a spot on me! Goodness of material ought to be
appreciated. I am of real silk, and have strings to me.'

''- On the wedding day, but no longer; you don't keep your
color in the wash.' This is Mr. Pipe-head who is speaking.
'Mr. de Boots is water-tight, of strong leather, and yet very
delicate; he can creak, and clank with his spurs, and has an
Italian physiognomy-''

'But they ought to speak in verses,' said Anna, 'for I've
heard that's the most charming way of all.'

'They can do that too,' replied grandpapa; 'and if the
public demands it, they will talk in that way. Just look at
little Miss Glove, how she's pointing her fingers!


''Could I but have my love,

Who then so happy as Glove!

Ah!

If I from him must part,

I'm sure 'twill break my heart!'

'Bah!'

The last word was spoken by Mr. Pipe-head; and now it's Mr.
Waistcoat's turn:


''O Glove, my own dear,

Though it cost thee a tear,

Thou must be mine,

For Holger Danske has sworn it!'


'Mr. de Boots, hearing this, kicks up, jingles his spurs,
and knocks down three of the side-scenes.'

'That's exceedingly charming!' cried little Anna.

'Silence! silence!' said grandpapa. 'Silent approbation
will show that you are the educated public in the stalls. Now
Miss Glove sings her great song with startling effects:


''I can't see, heigho!

And therefore I'll crow!

Kikkeriki, in the lofty hall!'


'Now comes the exciting part, little Anna. This is the
most important in all the play. Mr. Waistcoat undoes himself,
and addresses his speech to you, that you may applaud; but
leave it alone,- that's considered more genteel.

''I am driven to extremities! Take care of yourself! Now
comes the plot! You are the Pipe-head, and I am the good head-
snap! there you go!'

'Do you notice this, little Anna?' asked grandpapa.
'That's a most charming comedy. Mr. Waistcoat seized the old
Pipe-head and put him in his pocket; there he lies, and the
Waistcoat says:

''You are in my pocket; you can't come out till you
promise to unite me to your daughter Glove on the left. I hold
out my right hand.''

'That's awfully pretty,' said little Anna.

'And now the old Pipe-head replies:


''Though I'm all ear,

Very stupid I appear:

Where's my humor? Gone, I fear,

And I feel my hollow stick's not here,

Ah! never, my dear,

Did I feel so queer.

Oh! pray let me out,

And like a lamb led to slaughter

I'll betroth you, no doubt,

To my daughter.''


'Is the play over already?' asked little Anna.

'By no means,' replied grandpapa. 'It's only all over with
Mr. de Boots. Now the lovers kneel down, and one of them
sings:


''Father!'

and the other,


'Come, do as you ought to do,-

Bless your son and daughter.'

And they receive his blessing, and celebrate their wedding,
and all the pieces of furniture sing in chorus,


''Klink! clanks!

A thousand thanks;

And now the play is over!'


'And now we'll applaud,' said grandpapa. 'We'll call them
all out, and the pieces of furniture too, for they are of
mahogany.'

'And is not our play just as good as those which the
others have in the real theatre?'

'Our play is much better,' said grandpapa. 'It is shorter,
the performers are natural, and it has passed away the
interval before
tea-time.'




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